After all the hype, accusations and endless media coverage, many would think they are prepared for “The Passion of the Christ,” Mel Gibson’s controversial film. The truth is, no one is prepared for this movie. In more ways than one, this film is like no other.
Its ingeniousness is almost indescribable – it simply has to be experienced. One may know the story of the trial and crucifixion of Jesus Christ, but it has never been depicted as harrowing as Gibson’s version.
“I wanted to push the viewer over the edge,” Gibson told Diane Sawyer in an interview on ABC.
Controversy surrounding prolonged gruesome scenes, merely dust the surface of reality. This film is arguably the most violent film ever produced in Hollywood. There are no words to describe the agony that Gibson portrays in his Jesus (Jim Caviezel) as he suffers the perils of his life. Some audience members will be deeply disturbed.
In spite of its brutality, the film is beautifully photographed in Italy, and its set, a massive replica of ancient Jerusalem, is meticulously detailed with Roman architecture.
For the film adaptation, Gibson uses scriptures from the New Testament, as well as the diaries of St. Anne Catherine Emmerich “The Dolorous Passion of Our Lord Jesus Christ” and “The Mystical City of God” by St. Mary Agreda. The script’s dialogue is authentic and spoken in ancient Aramaic and Latin languages with English subtitles.
A number of flashbacks are used to illustrate Jesus’ preaching, speaking at the Last Supper and saving the life of Mary Magdalene. The brief scenes provide some perception of his life, but Gibson’s objective was not to focus on his entire life but rather his suffering. Some viewers may argue Gibson focused too much on Jesus’ physical pain and not enough on the reason behind his predestined sacrifice.
At the very least, viewers will appreciate the artistry and the brilliant filmmaking techniques in “The Passion of the Christ.” The depth of emotion and skill of the actors and technicians are undeniably matchless. This film is by far the most moving adaptation of biblical materials ever contrived.
“I wanted to create a lasting work of art and engender serious thought among audiences of diverse faith backgrounds (or none) who have varying familiarity with this story,” Gibson said.
Despite controversial accusations, Gibson’s film did not appear to be anti-Semitic. The Jewish characters portray an array of behavior, some are portrayed with malice and others with love, as were several other characters in the film.
Discussing individual performances, such as James Caviezel’s as Jesus Christ or Maia Morgenstern as Mary is a mood point. This movie is not about performances, although they are dynamic, or about technique, although it is awesome, or about cinematography, which is astonishing. “The Passion of the Christ” is an inspirational epic about faith. It is an exquisite spiritual masterpiece.
“The struggle between good and evil, and the overwhelming power of love go beyond race and culture. This film is about faith, hope, love and forgiveness. These are things that the world could use more of, particularly in these turbulent times. This film is meant to inspire, not to offend,” Gibson said.
The film is simply phenomenal. It is overwhelmingly emotional and riles feelings that will stay with the viewer well after the credits scroll.
“The Passion of the Christ” a Newmarket Films release, is appropriately rated R for sequences of graphic violence.
