In the wake of the numerous classic rock revivals this summer, the concert season is sure to be a hit. But while bands like the Who, Eagles and Rolling Stones are sure to sell out, they’re riding on the fruits of previous labors rather than fresh innovations. Thank God for Rush.
Rush – the Canadian trio known for its ability to successfully combine the raucous sounds of classic rock with modern technological experimentation – also will be hitting the road this summer. This tour, however, follows the release of “Vapor Trails,” the band’s first release in nearly five years.
Unlike previous works by Rush, “Vapor Trails” is an extreme departure from the band’s well-known futuristic sound responsible for such hits as “Tom Sawyer” and “Working Man.” By virtually abandoning its traditional dependence on computerized midi effects, the group is able to reinvent itself, creating music appealing to both veteran classic rockers as well as a younger, rowdier crowd.
Opening with “One Little Victory,” listeners are able to reacquaint themselves with Neil Peart’s aggressive drumming before welcoming newer, fresher and more modern guitar work by guitarist Alex Lifeson. The musical approach evident in “One Little Victory” is consistent throughout the entire album as the band fuses numerous musical themes into single solid tunes.
The group eases into an upbeat “Ceiling Unlimited” before working its way into a similar sounding “Ghost Rider,” both being excellent vehicles for singer Geddy Lee’s distinct voice and style. In addition to his vocal work, Lee also lays down a complex groove on the bass, complementing Peart’s hard-hitting and forceful drumming style. This is most evident in songs such as the racing “Freeze” and the darker “Sweet Miracle,” during which he exhibits a more mature control over his instrument.
Although Lifeson has never been considered a master guitarist, his simple yet provocative style shines on “Vapor Trails.” With songs such as “How It Is” and “Secret Touch,” Lifeson projects a clean but beefy tone and is able to amaze the crowd as he effortlessly dominates the fretboard.
If Rush is guilty of anything, it’s the fact that all of the songs on “Vapor Trails” are swift, upbeat and danceable numbers. While this is far from negative, the tunes tend to remain fairly similar to each other, leaving the album with little direction and musical diversity. In fairness, however, the band delivers quality music and seems to have fun doing it.
For a band that has been prone to receive a lukewarm response from critics for nearly 20 years, Rush has been able to produce an album of exceptional value. While combining elements culled from throughout the band’s history, the group has been able to forge a new sound consistent with a new era.
Be sure to catch Rush this summer as the band hits the road in support of “Vapor Trails.” The group is set to perform at the Polaris Amphitheater on Aug. 8.
