An exhibit that gives a close account on the detailed genius of the Amish culture is displayed at the Riffe Gallery until July 8.
The Ohio Arts Council’s exhibit “Made By Loving Hands: Amish Children’s Clothing, Toys and Quilts” uncovers the mysterious quality of cross stitch and crochet technique evident in the pin cushions dated from the 1860s, and the intricate work of the embroidered and colorful quilts.
Stephen Scott and Louise Stolzfus are two of the experts on the Amish culture. Throughout the exhibit the experts have synopses posted alongside each piece in the gallery. The information actually becomes part of the art as it gives bits of history and tradition that are otherwise unknown to the average person.
One of the most fascinating and yet confounding elements of the Amish artistry is the faceless dolls. Two dolls in particular are dressed in turquoise dresses and white aprons and dedicated to fine detail; however, the dolls were not adorned with the aesthetic traits of the Amish. It is noted that the lack of facial features is symbolic of the Amish rejection of photographic images or likeness of themselves.
Animals play a significant role in the Amish community. A toy rabbit dated – 20th century, demonstrates the loving nature the Amish children take with these animals.
Rabbits are often kept on Amish farms as outdoor pets. Louise Stolzfus writes that the parents teach their children how to care for animals, preparing them for what is hoped to become their adult vocation.
The Amish artistry is a metaphor of their lives. Clothes as well as colors represent certain functions in the community. Purple and brown are two of the favorite dress colors. Black is usually reserved for funerals, communion, and mourning in the Ohio Amish culture; different counties wear different colors.
Bonnets are recent additions to the Amish; before they were introduced in the 19th century, women wore wide-brimmed, shallow crowned hats made out of straw or felt. However, bonnets became acceptable because they represented the Biblical virtues of modesty and shamefacedness.
Clothing played a major part in the roles of the children. One of the controversies in the Amish communities is the androgynous baby attire. Children from infancy were dressed in the Amish style. However, male babies are traditionally put into dresses to ease diaper change.
The Amish culture displays craftsmanship in every detail of their work. The child’s chair dated — 20th century, is an excellent model of the refined and disciplined pieces that exemplify the very lifestyle of such a community.
Hand-crafted chairs are customary and are the kinds of gifts parents and grandparents give to their children. The young girls usually receive miniature versions of their mothers’ furniture.
The art that is motivated by love and religion clearly defines the discipline and sheer genius in each piece that is exhibited at the Riffe Gallery. “Made By Loving Hands” is the brilliance without the technological advancements of today. It is just the naked hand and patience that leaves a legacy of renowned craftsmanship to be adored.
